{"id":3271,"date":"2014-07-13T13:03:36","date_gmt":"2014-07-13T13:03:36","guid":{"rendered":"http:\/\/arrierescene.com\/?p=3271\/"},"modified":"2017-07-04T12:38:07","modified_gmt":"2017-07-04T12:38:07","slug":"festival-de-lanaudiere-stephane-tetreault-heros-de-la-soiree","status":"publish","type":"post","link":"https:\/\/stephanetetreault.com\/fr\/festival-de-lanaudiere-stephane-tetreault-heros-de-la-soiree\/","title":{"rendered":"Festival de Lanaudi\u00e8re: St\u00e9phane T\u00e9treault, h\u00e9ros de la soir\u00e9e"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Claude Gingras<\/strong>, La Presse<\/p>\n

Le centre d\u2019attraction de ce programme Richard Strauss \u00e9tait cependant le jeune violoncelliste St\u00e9phane T\u00e9treault, dont le nom avait certainement compt\u00e9 pour beaucoup dans le chiffre d\u2019assistance, \u00e9valu\u00e9 \u00e0 3000 personnes. Le concert entier fut une tr\u00e8s belle r\u00e9ussite, mais ce qu\u2019on en retient d\u2019abord, c\u2019est le Don Quixote<\/em>\u00a0de ce jeune musicien.<\/p>\n

L\u2019\u00e9tonnement est complet. Cette s\u00e9rie de 10 variations descriptives exige non seulement une immense technique de violoncelle mais aussi beaucoup de personnalit\u00e9, le soliste devant incarner le h\u00e9ros de Cervantes qui, s\u2019il est \u00e0 la fois id\u00e9aliste et irraisonn\u00e9, reste plus touchant que ridicule. Abordant cette oeuvre pour la premi\u00e8re fois, St\u00e9phane T\u00e9treault en a donn\u00e9, \u00e0 21 ans, la r\u00e9alisation d\u2019un ma\u00eetre aguerri.<\/p>\n

Bien que ce g\u00e9nial gar\u00e7on se montre un peu gauche dans sa pr\u00e9sentation, projet\u00e9e sur grand \u00e9cran, on devine d\u00e9j\u00e0 que cette oeuvre, il la comprend. Lorsqu\u2019il s\u2019y abandonne, fixant le ciel ou pench\u00e9 sur son fameux Stradivarius qui fait corps avec lui, il devient, pour ainsi dire, Don Quichotte, avec toutes ses contradictions et ses hallucinations. Les derni\u00e8res pages, o\u00f9 le violoncelle s\u2019\u00e9teint en m\u00eame temps que meurt notre h\u00e9ros, furent absolument troublantes.<\/p>\n

Lire sur La Presse<\/strong><\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Les derni\u00e8res pages, o\u00f9 le violoncelle s’\u00e9teint en m\u00eame temps que meurt notre h\u00e9ros, furent absolument troublantes.<\/p>\n

Claude Gingras<\/strong>, La Presse<\/em><\/p>\n","protected":false},"author":3,"featured_media":3273,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"mc4wp_mailchimp_campaign":[],"footnotes":""},"categories":[141],"tags":[],"class_list":["post-3271","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques"],"yoast_head":"\nFestival de Lanaudi\u00e8re: St\u00e9phane T\u00e9treault, h\u00e9ros de la soir\u00e9e - St\u00e9phane T\u00e9treault violoncelliste<\/title>\n<meta name=\"description\" content=\"Les derni\u00e8res pages, o\u00f9 le violoncelle s'\u00e9teint en m\u00eame temps que meurt notre h\u00e9ros, furent absolument troublantes. 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