{"id":3397,"date":"2014-06-11T02:02:10","date_gmt":"2014-06-11T02:02:10","guid":{"rendered":"http:\/\/arrierescene.com\/?p=3397\/"},"modified":"2017-08-28T14:39:22","modified_gmt":"2017-08-28T14:39:22","slug":"une-question-dame","status":"publish","type":"post","link":"https:\/\/stephanetetreault.com\/fr\/une-question-dame\/","title":{"rendered":"Une question d’\u00e2me"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Dominic Tardif<\/strong>, La Tribune<\/p>\n

Chaque soir de concert, St\u00e9phane T\u00e9treault pose entre ses jambes un merveilleux bout de bois datant de 1707. Un Stradivarius, si vous pr\u00e9f\u00e9rez. L\u2019instrument est-il r\u00e9ellement aussi sup\u00e9rieur qu\u2019on le dit \u00e0 ceux de la concurrence? Nous avons pos\u00e9 la question au jeune violoncelliste \u00e0 quelques jours de son concert avec l\u2019Orchestre symphonique de Sherbrooke.<\/h3>\n

Beaucoup d\u2019encre a coul\u00e9 au sujet du Stradivarius sur lequel St\u00e9phane T\u00e9treault, 21 printemps et toutes ses dents, pose son archet depuis deux ans, au point o\u00f9 le musicien a presque \u00e9t\u00e9 \u00e9clips\u00e9, m\u00e9diatiquement du moins, par ce violoncelle jeune depuis 1707, achet\u00e9 par Jacqueline Desmarais (veuve de Paul) sp\u00e9cialement pour son prot\u00e9g\u00e9 (elle le lui pr\u00eate ad vitam aeternam).Mais entre nous St\u00e9phane, ce fameux Strad \u00e9valu\u00e9 \u00e0 six beaux millions de bidoux est-il r\u00e9ellement \u00e0 ce point sup\u00e9rieur au pauvre instrument anonyme auquel tu arrachais jadis concertos et sonates? La r\u00e9putation des Strad n\u2019est-elle pas, \u00e0 l\u2019instar de celle des motocyclettes Harley-Davidson et des amplificateurs Marshall, l\u00e9g\u00e8rement surfaites?<\/p>\n

R\u00e9ponse sans \u00e9quivoque: \u00abLa diff\u00e9rence est colossale. Cet instrument a 307 ans d\u2019histoire. Pendant 307 ans, deux douzaines de musiciens ont jou\u00e9 dessus. C\u2019est un peu un clich\u00e9, mais je vais quand m\u00eame dire que cet instrument-l\u00e0 a une \u00e2me, on le sent quand on joue. Suffit de le toucher pour comprendre qu\u2019il a quelque chose de tr\u00e8s sp\u00e9cial. C\u2019est un grand violoncelle avec une sonorit\u00e9 tr\u00e8s puissante, qui permet d\u2019aller chercher une possibilit\u00e9 infinie de couleurs.\u00bb<\/p>\n

Une \u00e2me? Vraiment, une \u00e2me? Tu mesures bien l\u2019\u00e9sot\u00e9risme de ton explication? \u00abIl y a des si\u00e8cles de musiciens qui ont jou\u00e9 sur cet instrument des oeuvres qui n\u00e9cessitent beaucoup d\u2019implication \u00e9motive. C\u2019est normal qu\u2019il y ait un peu de l\u2019\u00e2me de chacun de ces musiciens qui soit rest\u00e9 dans cet instrument-l\u00e0. Mais c\u2019est s\u00fbr que lorsqu\u2019un instrument respire pendant 307 ans, il gagne en profondeur. Peut-\u00eatre que les instruments confectionn\u00e9s aujourd\u2019hui vont sonner aussi bien que \u00e7a dans 307 ans.\u00bb<\/p>\n

D\u2019autres vies avant<\/strong><\/p>\n

Le Concerto pour violoncelle en si mineur<\/em> d\u2019Antonin Dvorak, que St\u00e9phane T\u00e9treault a souvent interpr\u00e9t\u00e9 et qu\u2019il r\u00e9interpr\u00e9tera ce week-end avec l\u2019Orchestre symphonique de Sherbrooke, est l\u2019oeuvre d\u2019un homme en proie au mal du pays (le compositeur tch\u00e8que s\u00e9journait alors aux \u00c9tats-Unis).<\/p>\n

Selon les ex\u00e9g\u00e8tes que vous consulterez et les sp\u00e9cialistes \u00e0 qui vous choisirez de pr\u00eater foi, cet ultime concerto du p\u00e8re de la Symphonie du Nouveau Monde<\/em>, d\u2019un coefficient de difficult\u00e9 technique tr\u00e8s \u00e9lev\u00e9, aurait \u00e9t\u00e9 cr\u00e9\u00e9 en souvenir d\u2019un amour de jeunesse ou pour c\u00e9l\u00e9brer la beaut\u00e9 de son dernier amour. De v\u00e9ritables montagne-russes \u00e9motives, recelant \u00abde la joie, de la tristesse et de la nostalgie.\u00bb<\/p>\n

Comment T\u00e9treault peut-il se mesurer, du haut de ses 21 ans, \u00e0 pareil testament musical, paraph\u00e9 par un g\u00e9nie au cr\u00e9puscule de sa vie? \u00abCertains pensent qu\u2019il est pr\u00e9f\u00e9rable d\u2019attendre d\u2019avoir le v\u00e9cu n\u00e9cessaire pour jouer ces pi\u00e8ces-l\u00e0. Mais le r\u00e9pertoire est rempli de pi\u00e8ces comme \u00e7a, je ne peux pas attendre d\u2019avoir 60 ans pour toutes les jouer! C\u2019est toujours fascinant de voir des enfants de 12, 13 ou 14 ans interpr\u00e9ter des oeuvres complexes, tr\u00e8s tragiques, sans avoir connu les \u00e9motions qu\u2019ils doivent jouer. Ils sont pourtant capables de les faire vivre aux spectateurs.\u00bb Un silence. \u00abC\u2019est peut-\u00eatre parce qu\u2019ils ont v\u00e9cu d\u2019autres vies avant.\u00bb<\/p>\n

Il ajoute: \u00abLa beaut\u00e9 d\u2019une longue carri\u00e8re, c\u2019est qu\u2019un musicien peut interpr\u00e9ter une oeuvre \u00e0 25 ans et la r\u00e9interpr\u00e9ter \u00e0 60 ans, et en donner deux versions compl\u00e8tement diff\u00e9rentes.\u00bb C\u2019est toute la gr\u00e2ce qu\u2019on lui souhaite.<\/p>\n

No future?<\/strong><\/p>\n

St\u00e9phane T\u00e9treault joue rarement devant des gar\u00e7ons et de filles de son \u00e2ge, la faute au public de plus en plus en plus vieillissant de la musique classique. Cher ami, te sens-tu parfois seul, l\u2019\u00e2me en peine, face \u00e0 ces salles remplies de t\u00eates blanches?<\/p>\n

\u00abEn Am\u00e9rique du Nord, le public est plus vieux qu\u2019en Europe, o\u00f9 la musique classique est plus imbib\u00e9e dans la culture. Je pense que pour aller chercher les jeunes, il faut aller l\u00e0 o\u00f9 ils sont, c\u2019est-\u00e0-dire en ligne. Il faut aller les chercher sur Twitter, Facebook et YouTube. Les jeunes ont ben le droit de ne pas aimer \u00e7a, mais c\u2019est n\u00e9cessaire qu\u2019ils y soient au moins d\u2019abord expos\u00e9s. J\u2019ai des jeunes qui m\u2019\u00e9crivent sur YouTube et me disent: \u00ab\u00a0Je n\u2019aimais pas le violoncelle avant, j\u2019aime les Sex Pistols, mais je trouve \u00e7a pas mal cool ce que tu fais.\u00a0\u00bb\u00bb<\/p>\n

Et si le futur de la musique classique reposait entre les mains des disciples du no future?<\/p>\n

Lire sur\u00a0La Tribune<\/strong><\/a>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

\u00ab Il y a des si\u00e8cles de musiciens qui ont jou\u00e9 sur cet instrument des oeuvres qui n\u00e9cessitent beaucoup d’implication \u00e9motive…<\/p>\n

Dominic Tardif, La Tribune<\/em><\/p>\n","protected":false},"author":3,"featured_media":3815,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"mc4wp_mailchimp_campaign":[],"footnotes":""},"categories":[40],"tags":[],"class_list":["post-3397","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-entrevues"],"yoast_head":"\nUne question d'\u00e2me - St\u00e9phane T\u00e9treault violoncelliste<\/title>\n<meta name=\"description\" content=\"\u00ab Il y a des si\u00e8cles de musiciens qui ont jou\u00e9 sur cet instrument des oeuvres qui n\u00e9cessitent beaucoup d'implication \u00e9motive... 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