{"id":5400,"date":"2019-07-15T02:30:50","date_gmt":"2019-07-15T02:30:50","guid":{"rendered":"https:\/\/stephanetetreault.com\/?p=5400"},"modified":"2022-11-09T14:42:31","modified_gmt":"2022-11-09T14:42:31","slug":"festival-de-lanaudiere-de-beaute-et-de-tristesse","status":"publish","type":"post","link":"https:\/\/stephanetetreault.com\/fr\/festival-de-lanaudiere-de-beaute-et-de-tristesse\/","title":{"rendered":"Festival de Lanaudi\u00e8re: de beaut\u00e9 et de tristesse"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Natalia Wysocka<\/strong>, La Presse<\/p>\n

Amis de longue date, le violoncelliste St\u00e9phane T\u00e9treault et le chef Nicolas Ellis souhaitaient monter sur sc\u00e8ne ensemble depuis un moment d\u00e9j\u00e0. Leur souhait s’est r\u00e9alis\u00e9 hier lors d’un concert donn\u00e9 par l’Orchestre M\u00e9tropolitain au Festival de Lanaudi\u00e8re.<\/strong><\/p>\n

L’apr\u00e8s-midi \u00e9tait calme et ensoleill\u00e9. Le site de l’amphith\u00e9\u00e2tre Fernand-Lindsay, lui, clairsem\u00e9. Le risque d’orage avait visiblement frein\u00e9 certains spectateurs sur la route de Joliette. Dommage, puisque c’est sous des cieux cl\u00e9ments que s’est d\u00e9roul\u00e9 l’un des concerts coup de coeur du Festival de Lanaudi\u00e8re. Celui o\u00f9 l’on a pu voir le violoncelliste soliste St\u00e9phane T\u00e9treault, 26\u00a0ans, qui a jou\u00e9 pour la premi\u00e8re fois \u00e0 ce m\u00eame \u00e9v\u00e9nement il y a huit ans d\u00e9j\u00e0. Et qui le porte dans son coeur. Tout comme il y porte l’Orchestre M\u00e9tropolitain, qu’il \u00ab\u00a0adore\u00a0\u00bb (c’est confirm\u00e9).<\/p>\n

Pour lancer l’\u00e9v\u00e9nement, l’ensemble a pr\u00e9sent\u00e9 le\u00a0Capriccio espagnol, op.\u00a034<\/em>\u00a0de Rimski-Korsakov, plongeant le public dans de joyeuses pr\u00e9dispositions. Entrain, bonheur, all\u00e9gresse… C’\u00e9tait \u00ab\u00a0festif\u00a0\u00bb, comme l’a dit Nicolas Ellis.<\/p>\n

Suite \u00e0 quoi le sympathique collaborateur artistique de l’OM s’est r\u00e9joui des applaudissements harmonieux de la foule, approuvant de leur sonorit\u00e9 \u00e9tudi\u00e9e. \u00ab\u00a0Tr\u00e8s beau crescendo et d\u00e9crescendo, a-t-il comment\u00e9. Franchement, il y a beaucoup de talent dans la salle.\u00a0\u00bb Puis, il a convi\u00e9 les convives \u00e0 \u00ab\u00a0entrer dans un autre monde\u00a0\u00bb. Soit celui de Chostakovitch, et de son\u00a0Concerto pour violoncelle no<\/sup>\u00a01, op. 107<\/em>. Une oeuvre de 1959 dot\u00e9e \u00ab\u00a0de toutes sortes de couleurs absolument incroyables\u00a0\u00bb. Une oeuvre, surtout, intimement li\u00e9e \u00e0 la vie personnelle et politique du compositeur russe ayant v\u00e9cu sous le r\u00e9gime sovi\u00e9tique.<\/p>\n

Dans un souci d’\u00e9change avec les spectateurs, que l’on sent toujours bienvenu et appr\u00e9ci\u00e9, le chef s’est alors employ\u00e9 \u00e0 expliquer le contexte et le propos de l’oeuvre. \u00c0 savoir, ce contraste marqu\u00e9 que l’on y entend entre \u00ab\u00a0la folie du violoncelle\u00a0\u00bb et \u00ab\u00a0l’impuissance de l’orchestre\u00a0\u00bb. Un orchestre qui voit un homme incapable de supporter un certain syst\u00e8me politique, a not\u00e9 Ellis.<\/p>\n

\u00ab\u00a0Pour nous, musiciens, c’est un peu comme la vraie vie. Nous aussi, nous ressentons parfois cette frustration qui vient du fait de ne pas pouvoir venir en aide \u00e0 quelqu’un. De devoir rester distant\u00a0\u00bb, \u00a0a-t-il expliqu\u00e9.<\/p>\n

Loin de se sentir en retrait, le public s’est immerg\u00e9 dans la musique, alors que l’orchestre interpr\u00e9tait l’oeuvre dans cette unit\u00e9 qui a fait sa signature. La communion entre les artistes sur sc\u00e8ne traduisait parfaitement le sentiment d’isolement, de d\u00e9tresse, de tristesse. Et toute la gravit\u00e9 et la douleur de ce concerto tr\u00e8s cher \u00e0 St\u00e9phane T\u00e9treault. \u00ab\u00a0Je le travaille depuis des ann\u00e9es, nous a-t-il confi\u00e9 apr\u00e8s la repr\u00e9sentation, rappelant que son ancien mentor, le regrett\u00e9 Yuli Turovsky, a \u00ab\u00a0lui-m\u00eame v\u00e9cu des moments avec Chostakovitch\u00a0\u00bb. Et qu’il l’a longtemps nourri en anecdotes et en d\u00e9tails historiques. \u00ab\u00a0C’est passionnant de revisiter cette oeuvre qui m’a profond\u00e9ment marqu\u00e9. C’est toujours touchant.\u00a0\u00bb<\/p>\n

On sentait d’ailleurs \u00e0 quel point l’oeuvre remuait le musicien qui, pour la petite histoire, avait 16\u00a0ans la premi\u00e8re fois qu’il a partag\u00e9 la sc\u00e8ne avec l’OM sous la direction de Yannick N\u00e9zet-S\u00e9guin. Dans son jeu, l’\u00e9motion \u00e9tait brute. \u00ab\u00a0C’est s\u00fbr qu’\u00e0 la fin du Concerto, je ne peux pas dire que je suis l’homme le plus heureux au monde !\u00a0\u00bb, s’est-il exclam\u00e9. Surtout qu’hier, la pi\u00e8ce a pris une signification d’autant plus profonde pour le violoncelliste de talent. \u00ab\u00a0J’ai v\u00e9cu deux deuils cette semaine… a-t-il confi\u00e9. Pour jouer cette oeuvre, j’avais besoin de beaucoup d’\u00e9nergie et de personnes qui m’appuyaient.\u00a0\u00bb<\/p>\n

\u00c0 lire sur La Presse<\/a><\/strong>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

St\u00e9phane T\u00e9treault et le chef Nicolas Ellis avec l’Orchestre M\u00e9tropolitain au Festival de Lanaudi\u00e8re<\/p>\n

Natalia Wysocka<\/strong>, La Presse<\/em><\/p>\n","protected":false},"author":3,"featured_media":5385,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"mc4wp_mailchimp_campaign":[],"footnotes":""},"categories":[141,40],"tags":[],"class_list":["post-5400","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques","category-entrevues"],"yoast_head":"\nFestival de Lanaudi\u00e8re: de beaut\u00e9 et de tristesse - St\u00e9phane T\u00e9treault violoncelliste<\/title>\n<meta name=\"description\" content=\"St\u00e9phane T\u00e9treault et le chef Nicolas Ellis avec l'Orchestre M\u00e9tropolitain au Festival de Lanaudi\u00e8re Natalia Wysocka, La Presse\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/stephanetetreault.com\/fr\/festival-de-lanaudiere-de-beaute-et-de-tristesse\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Festival de Lanaudi\u00e8re: de beaut\u00e9 et de tristesse - 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