{"id":6384,"date":"2021-02-23T02:42:23","date_gmt":"2021-02-23T02:42:23","guid":{"rendered":"https:\/\/stephanetetreault.com\/stephane-tetreault-et-lysandre-menard-une-carte-blanche-passionnee-copy\/"},"modified":"2022-07-07T17:30:15","modified_gmt":"2022-07-07T17:30:15","slug":"le-chaos-organise-de-schumann-et-chopin","status":"publish","type":"post","link":"https:\/\/stephanetetreault.com\/fr\/le-chaos-organise-de-schumann-et-chopin\/","title":{"rendered":"Le chaos organis\u00e9 de Schumann et Chopin"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Hugo Pr\u00e9vost<\/strong>, pieuvre.ca<\/p>\n

Pourquoi tant de fureur? Pourquoi tant de douceur? Le plus r\u00e9cent concert de la s\u00e9rie\u00a0Cartes Blanches<\/em>, de Pro Musica, propose un mariage entre Chopin et Schumann pour un duo violoncelle et piano, et le r\u00e9sultat est \u00e0 la hauteur de cette p\u00e9riode \u00e9trange que nous traversons: une combinaison de grands moments d\u2019agitation et de tendres espoirs.\u00a0<\/strong><\/p>\n

Sur sc\u00e8ne \u2013 une sc\u00e8ne d\u00e9serte \u00e0 l\u2019exception des interpr\u00e8tes, bien entendu, et sans aucun public \u2013, d\u2019abord, le violoncelliste St\u00e9phane T\u00e9treault, notamment \u00ab\u00a0R\u00e9v\u00e9lation Radio-Canada\u00a0\u00bb en musique classique et aur\u00e9ol\u00e9 de divers autres prix. Pour l\u2019accompagner, Lysandre M\u00e9nard au piano, qui est tout autant musicienne que com\u00e9dienne..<\/p>\n

Le concert, ou plut\u00f4t l\u2019\u00e9v\u00e9nement en ligne, d\u00e9marre de fa\u00e7on quelque peu \u00e9trange: on nous pr\u00e9sente en effet une entrevue avec M. T\u00e9trault o\u00f9 il r\u00e9pond non pas aux questions d\u2019un animateur ou d\u2019une personne hors champ, mais \u00e0 des phrases muettes qui apparaissent \u00e0 l\u2019\u00e9cran. Tant mieux si l\u2019on souhaite nous faire mieux conna\u00eetre l\u2019artiste, mais le format, et surtout la dur\u00e9e \u2013 11 minutes, s\u2019ils vous pla\u00eet! \u2013 d\u00e9concertent. R\u00e9sultat, ce journaliste finira par acc\u00e9l\u00e9rer la captation jusqu\u2019aux toutes premi\u00e8res notes.<\/p>\n

Qu\u2019\u00e0 cela ne tienne, M. T\u00e9treault m\u00e9rite amplement les honneurs qu\u2019on lui a rendus: pleinement en ma\u00eetrise de son instrument \u2013 non, plut\u00f4t carr\u00e9ment en symbiose avec celui-ci \u2013, le voici qu\u2019il caresse et cajole, faisant passer l\u2019archet ici, caressant et pin\u00e7ant une corde l\u00e0\u2026 Tout est dans le ton, tout est \u00e0 la fois dans la l\u00e9g\u00e8ret\u00e9 et dans le contr\u00f4le.<\/p>\n

Sa vis-\u00e0-vis, bien install\u00e9e devant le clavier du magnifique Steinway utilis\u00e9 pour l\u2019occasion, n\u2019est pas en reste. Et l\u00e0 o\u00f9 M. T\u00e9treault bouge, occupe l\u2019espace qui lui est attribu\u00e9 avec parfois beaucoup de vigueur, Mme M\u00e9nard, elle, demeure bien camp\u00e9e devant son piano. Un peu comme si ce dernier allait s\u2019emballer \u00e0 tout moment, et qu\u2019il fallait en garder le contr\u00f4le.<\/p>\n

Quant au choix des pi\u00e8ces, celui-ci est efficace sans \u00eatre trop audacieux, ni trop consensuel. La\u00a0Fantasiest\u00fccke pour violoncelle et piano<\/em> de Schumann sert parfaitement bien \u00ab\u00a0d\u2019amuse-gueule\u00a0\u00bb musical, si cela est possible sans trop nier les vertus de l\u2019\u0153uvre. Quant \u00e0 la\u00a0Sonate pour violoncelle et piano en sol mineur<\/em> de Chopin, le titre d\u2019une trentaine de minutes est \u00e0 la fois simple et complexe, doux et puissant, et fait tour \u00e0 tour r\u00eaver \u00e0 des jours meilleurs et regretter les jours perdus. Que demander de plus en pleine p\u00e9riode de morosit\u00e9, voire de d\u00e9sespoir, qui n\u2019en finit plus?<\/p>\n

Voil\u00e0 d\u2019ailleurs le point d\u2019orgue, ou peut-\u00eatre le coup de gr\u00e2ce: lorsque la musique des deux artistes, toujours passionn\u00e9s malgr\u00e9 l\u2019absence de spectateurs, rappelle que c\u2019est aussi cela, la vie. Non pas de faire la queue pour consommer toujours plus, mais ce qui est en apparences presque purement chaotique, mais qui est en fait la manifestation d\u2019une beaut\u00e9 qu\u2019il est difficile de quantifier.<\/p>\n

C\u2019est \u00e0 ce moment, quand r\u00e9sonnent les derni\u00e8res notes, que l\u2019\u00e9motion nous \u00e9treint, et que nous nous prenons \u00e0 r\u00eaver \u00e0 des jours meilleurs.<\/p>\n

La captation est disponible \u00e0 partir du site internet promusica.qc.ca<\/a>\u00a0et sur la plateforme\u00a0Livetoune<\/em><\/a>\u00a0jusqu\u2019au 28 f\u00e9vrier.<\/strong><\/p>\n

\u00c0 lire sur pieuvre.ca<\/a><\/strong>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

M. T\u00e9treault m\u00e9rite amplement les honneurs qu\u2019on lui a rendus: pleinement en ma\u00eetrise de son instrument \u2013 non, plut\u00f4t carr\u00e9ment en symbiose avec celui-ci.<\/p>\n

Hugo Pr\u00e9vost<\/strong>, pieuvre.ca<\/em><\/p>\n","protected":false},"author":3,"featured_media":6386,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"mc4wp_mailchimp_campaign":[],"footnotes":""},"categories":[141],"tags":[],"class_list":["post-6384","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques"],"yoast_head":"\nLe chaos organis\u00e9 de Schumann et Chopin - St\u00e9phane T\u00e9treault violoncelliste<\/title>\n<meta name=\"description\" content=\"M. T\u00e9treault m\u00e9rite amplement les honneurs qu\u2019on lui a rendus: pleinement en ma\u00eetrise de son instrument \u2013 non, plut\u00f4t carr\u00e9ment en symbiose avec celui-ci. 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