{"id":7627,"date":"2022-11-13T17:50:00","date_gmt":"2022-11-13T17:50:00","guid":{"rendered":"https:\/\/stephanetetreault.com\/repenser-le-concert-copy\/"},"modified":"2023-03-22T23:57:36","modified_gmt":"2023-03-22T23:57:36","slug":"creation-absolument-remarquable","status":"publish","type":"post","link":"https:\/\/stephanetetreault.com\/fr\/creation-absolument-remarquable\/","title":{"rendered":"Transfiguration: une cr\u00e9ation absolument remarquable"},"content":{"rendered":"

[vc_row][vc_column][vc_column_text]<\/p>\n

Fran\u00e7ois Houde<\/strong>, Le Nouvelliste<\/p>\n

Le spectacle Transfiguration<\/em> que pr\u00e9sentaient la harpiste trifluvienne Val\u00e9rie Milot et le violoncelliste St\u00e9phane T\u00e9treault samedi soir \u00e0 la salle Thompson a constitu\u00e9 un moment de pur plaisir, un spectacle jouissif \u00e0 toutes sortes de niveaux.<\/strong><\/h4>\n

Il exprime, assur\u00e9ment, ce que peut \u00eatre la musique classique pour ceux qui l\u2019appr\u00e9cient: un d\u00e9lice raffin\u00e9 qui comble l\u2019intelligence comme le c\u0153ur. Surtout le c\u0153ur.<\/p>\n

Rappelons un peu le concept parce qu\u2019il est remarquable de pertinence. Le concert n\u2019impliquait que deux instruments qu\u2019on n\u2019associe pas d\u2019embl\u00e9e l\u2019un \u00e0 l\u2019autre confi\u00e9s \u00e0 deux virtuoses. Les deux se sont ex\u00e9cut\u00e9s dans un d\u00e9cor constitu\u00e9 de cinq \u00e9crans g\u00e9ants mais de tailles diff\u00e9rentes imbriqu\u00e9s les uns dans les autres pour former une sorte de mosa\u00efque.<\/p>\n

Les images, magnifiques au demeurant, ont accompagn\u00e9 les musiciens tout au cours de la soir\u00e9e, offrant \u00e0 la musique un socle visuel. Des images tr\u00e8s sophistiqu\u00e9es, jamais banales, qui venaient parfois mettre en contexte, amplifier le propos musical ou sugg\u00e9rer une avenue de r\u00eaverie. On en doit la conception aux Trifluviens Olivier Magnan et Anthony Hamelin.<\/p>\n

Comme Transfiguration<\/em> a sa propre trame narrative, les deux musiciens suivent au cours du spectacle une progression physique en se rapprochant tranquillement l\u2019un de l\u2019autre, au rythme de la succession des six \u0153uvres au programme jusqu\u2019\u00e0 ce que les deux amis soient finalement r\u00e9unis pour la sixi\u00e8me, derni\u00e8re avant le rappel.<\/p>\n

Interpr\u00e8tes brillants et tr\u00e8s inspir\u00e9s, ils ont donn\u00e9 samedi la pleine mesure de leur immense talent. Ce seul talent aurait \u00e9videmment suffi \u00e0 cr\u00e9er un tr\u00e8s riche concert mais en s\u2019investissant dans un spectacle total, expression trop souvent galvaud\u00e9e qui trouve ici tout son sens, les artistes en ont fait un \u00e9v\u00e9nement musical tr\u00e8s touchant.<\/p>\n

Essentiellement parce qu\u2019ils ont fait de Transfiguration<\/em> un objet artistique tr\u00e8s sophistiqu\u00e9, coh\u00e9rent et \u00e9mouvant tout en le conservant extraordinairement accessible.<\/p>\n

Il n\u2019est pas inutile de mentionner que dans leur souci de d\u00e9velopper le plus d\u2019avenues possible, Val\u00e9rie Milot et St\u00e9phane T\u00e9treault ont ajout\u00e9 un \u00abprogramme vivant\u00bb, \u00e0 savoir un programme disponible sur t\u00e9l\u00e9phone intelligent qui indique non seulement les \u0153uvres mais qui suit le concert en temps r\u00e9el, offrant, tout au cours de celui-ci, des pr\u00e9cisions sur la musique, les compositeurs, certaines caract\u00e9ristiques des pi\u00e8ces, etc. Beaucoup d\u2019informations permettant de mieux comprendre la musique et l\u2019appr\u00e9cier davantage.[\/vc_column_text][vc_single_image image=\u00a0\u00bb7631\u2033 img_size=\u00a0\u00bbfull\u00a0\u00bb add_caption=\u00a0\u00bbyes\u00a0\u00bb][vc_column_text]Gr\u00e2ce \u00e0 une mise en sc\u00e8ne brillante et tr\u00e8s sophistiqu\u00e9e, la musique trouve un parfait \u00e9crin dans Transfiguration<\/em>.<\/strong><\/p>\n

\u00c7a pourrait n\u2019\u00eatre qu\u2019un gadget, \u00e7a ne l\u2019est pas. Sans doute \u00e0 cause de la qualit\u00e9 de sa r\u00e9alisation. C\u2019est un ajout tr\u00e8s pertinent auquel on souhaiterait avoir acc\u00e8s dans n\u2019importe quel concert classique.<\/p>\n

Une des grandes qualit\u00e9s de ce concert, c\u2019est que tout l\u2019enrobage a \u00e9t\u00e9 mis au service de la musique. Jamais le visuel n\u2019a pris le dessus sur les notes et l\u2019interpr\u00e9tation des musiciens.<\/p>\n

On pourrait dire que l\u2019emballage a rendu la musique plus accessible mais \u00e7a pourrait laisser penser erron\u00e9ment que la musique ne l\u2019\u00e9tait pas au d\u00e9part. Or, les \u0153uvres de Fran\u00e7ois Valli\u00e8res (Double-Monologue<\/em>), Alexander Grogg (Trois variations sur La Folia<\/em> et D\u2019un cygne l\u2019autre<\/em>), Caroline Lizotte (Close for Couloir, op. 4<\/em>8), Marjan Mozetich (Sentiment transfigur\u00e9<\/em>) et Kelly-Marie Murphy (Si veriash a la rana<\/em>) \u00e9taient d\u2019une grande beaut\u00e9. Cogs for Cogs<\/em> du groupe de rock progressif Gentle Giant, offert en rappel, est venu d\u00e9montrer l\u2019\u00e9tendue du r\u00e9pertoire de deux amis musiciens.<\/p>\n

L\u2019appellation de musique contemporaine fait parfois peur mais Transfiguration convainc sans peine que c\u2019est un bien b\u00eate pr\u00e9jug\u00e9. Il serait difficile de trouver concert de musique classique plus facile \u00e0 appr\u00e9cier, \u00e0 savourer. Il suffit de se laisser porter.<\/p>\n

Sans compter qu\u2019il permet de se familiariser avec un instrument, la harpe, m\u00e9connu. Il trouve en Val\u00e9rie Milot une ambassadrice exceptionnellement brillante. Pour ce qui est de St\u00e9phane T\u00e9treault, que dire que sa r\u00e9putation n\u2019a pas d\u00e9j\u00e0 couvert? Dans ce spectacle, il donne \u00e0 sa renomm\u00e9e d\u2019interpr\u00e8te un visage plus humain et d\u2019une sensibilit\u00e9 franchement s\u00e9duisante. La connivence entre les deux interpr\u00e8tes est aussi \u00e9vidente que r\u00e9jouissante.<\/p>\n

Il y avait moins de 400 personnes pour assister \u00e0 ce concert. C\u2019est bien peu compte tenu du plaisir qu\u2019il a procur\u00e9 \u00e0 ces privil\u00e9gi\u00e9s. Tout ce qu\u2019on peut souhaiter non pas aux artistes mais au public trifluvien, c\u2019est que le spectacle soit pr\u00e9sent\u00e9 de nouveau \u00e0 la salle Thompson dans quelques mois pour que davantage d\u2019amateurs savourent ce tr\u00e8s beau moment de communion avec des artistes, des instruments, des compositeurs. C\u2019est un tr\u00e8s bel hommage \u00e0 l\u2019amiti\u00e9 offert dans un \u00e9crin magnifique.<\/p>\n

Transfiguration a, en quelque sorte, pris la place d\u2019un grand concert de l\u2019OSTR pour le mois de novembre. La dg Natalie Rousseau \u00e9tait fi\u00e8re de son choix.<\/p>\n

D\u00e8s le d\u00e9but de son projet, j\u2019ai dit \u00e0 Val\u00e9rie que j\u2019allais programmer son spectacle. Parce que c\u2019\u00e9tait Val\u00e9rie et St\u00e9phane et que j\u2019avais vu ce qu\u2019elle avait fait avec son autre spectacle Orbis et je me disais que ce prochain projet ne pourrait \u00eatre que fabuleux. Je ne me suis pas tromp\u00e9e.<\/p><\/blockquote>\n

\u00ab Comme le retour en salle du public est tr\u00e8s lent pour nous mais aussi pour tous les orchestres symphoniques au Qu\u00e9bec, \u00e7a nous force \u00e0 faire des gros programmes qui attirent mais qui sont dispendieux. Dans ce contexte, \u00e7a semblait judicieux de laisser tomber un de nos grands concerts d\u2019orchestre et de pr\u00e9senter ce spectacle \u00e0 la place. \u00bb<\/p>\n

Transfiguration a attir\u00e9 une autre client\u00e8le que celle des habitu\u00e9s de l\u2019OSTR et devrait probablement contribuer \u00e0 cr\u00e9er de nouveaux adeptes. La dg est convaincue qu\u2019avec sa forme novatrice, cet \u00e9v\u00e9nement sert la musique classique.<\/p>\n

Il faut offrir des choses qui sortent de l\u2019ordinaire. Il y a un public pour \u00e7a. \u00c7a encourage la cr\u00e9ation, de nouveaux concepts et en bout de ligne, c\u2019est la musique qui en sort gagnante.<\/p><\/blockquote>\n

\u00c0 lire dans Le Nouvelliste<\/a><\/strong>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

Transfiguration<\/em> est un d\u00e9lice raffin\u00e9 qui comble l\u2019intelligence comme le c\u0153ur. Surtout le c\u0153ur.<\/p>\n

Fran\u00e7ois Houde<\/strong>, Le Nouvelliste<\/em><\/p>\n","protected":false},"author":3,"featured_media":7629,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"mc4wp_mailchimp_campaign":[],"footnotes":""},"categories":[141],"tags":[],"class_list":["post-7627","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-critiques"],"yoast_head":"\nTransfiguration: une cr\u00e9ation absolument remarquable - St\u00e9phane T\u00e9treault violoncelliste<\/title>\n<meta name=\"description\" content=\"Il exprime, assur\u00e9ment, ce que peut \u00eatre la musique classique pour ceux qui l\u2019appr\u00e9cient: un d\u00e9lice raffin\u00e9 qui comble l\u2019intelligence comme le c\u0153ur. 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